In Iran, the ancient qanat system enabled irrigation in desert environments, allowed for agriculture to flourish, and fostered community cooperation. “They are based on a huge shareholding system that requires different people living in a region to work together and use the water resources available," observes Negar Sanaan Bensi, a lecturer and researcher in the faculty of architecture at the Delft University of Technology in the Netherlands. With global warming sending temperatures soaring, rethinking these cooling tunnels represents a huge design opportunity, and hints at a promising future for community-building. (Also: they're already using it in Spain.)

California Governor Gavin Newsom—long criticized for failing to address his state’s $73 billion budget deficit, overspending and lack of focus on local issues—asks for public input on the design of a state coin. Hilarity (and, well, yes) humiliation ensues.

How does governance impact the preservation of critical, cultural, and historical artifacts, including, and especially, our cherished institutional archives? John Thackara has some ideas.

London design practice EcoLogicStudio has created a collection of everyday objects—including a desktop air purifier that outputs material used to create furniture and accessories—using algae.

Sloan Leo offers seven prompts to help you better understand what it means to queer design.

Steven Heller reviews Made in Italy NYC—an exclusive (and free!) exhibition celebrating the rich heritage of postwar Italian graphic design. (Bonus video content here.)

Fascinating new (hybrid) job opportunity at MIT, where they are recruiting an Exhibition and Commons Director to manage an exciting set of public spaces known as “the commons”, the newest of which has been carved out of the redesigned Metropolitan Storage Warehouse on MIT’s campus. The commons is envisioned as an assembly of curated physical sites and a set of related programs with a primary focus on architecture, design, urbanism, art, and technology. for their new building. Details here.

Everything you ever wanted to know about the origins of Dutch design (but were afraid to ask).

A meditation on the history of design—and the rise of strategy—from Jarrett Fuller.

A meditation on analog beauty—and vernacular signage—from Elizabeth Goodspeed.

Richard Stengel makes a compelling case that journalism should be free to save democracy. “According to the Reuters Institute for the Study of Journalism, more than 75% of America’s leading newspapers, magazines, and journals are behind online paywalls. And how do American news consumers react to that?” (Subscription required.) 

Please, please, please… get some sleep.

The Supreme Court allows Idaho to ban transgender health care for minors. For now.

Historically, we’ve invested huge resources to keep cities and nature separate. But we now know that the health of the soil and the health of people are the same story. So, what does this have to do with design? Join the unstoppable John Thackara and Milan Politecnico professor Ezio Manzini today at 11 am ET as they discuss this critical—and surprisingly overlooked—environmental issue.

Conducted through audio interviews, Ana Miljački's I Would Prefer Not To is an oral history project on the topic of the most important kind of refusal in architects’ toolboxes: refusal of the architectural commission. (Miljački, an architectural historian and theorist, is also Director of the Critical Broadcasting Lab at MIT.) Produced in conjunction with the Architectural League of New York, this podcast features conversations with a number of fascinating practitioners including Diller + Scofidio's Elizabeth Diller, WXY partner Claire Weisz (who we interviewed in Season Three of The Design of Business | The Business of Design) and Nina Cooke John (a Season Nine guest).

This past winter, a diverse cohort of students from the MADE Program at Brown + RISD and Harvard immersed themselves in a wealth of data provided by the City of Boston with the mission of uncovering novel, meaningful, and joyful perspectives on navigating and understanding the urban environment. Their resulting projects—a series of interactive exhibits ranging from envisioning the evolving contours of the coastline to revealing the secret lives of the city’s trees—will be on view this week at the Boston Museum of Science.

Designers are leaving corporate life in droves, re-designed out of their own jobs. “The strategic design gold rush is over,” reports Robert Fabricant.  So, where are they going? “[A} new class of platforms and networks have emerged, including Neol, Design Executive Council, Chief Design Officer School, Design Leadership Job Board, and Design Leaders.” This isn’t a bad thing, he says. “These platforms specifically target ‘fractional’ design leaders who are looking to support one another, collaborate on projects, better communicate their value, and source new income-generating opportunities, both individually and collectively.” 

A new project designed to amplify Indigenous-owned businesses on Google Maps and Google Search gets high marks from Huitzilli Oronia, a Chicana designer from Denver, Colorado, and the creative production agency Hook.  Oronia contributed Google’s Indigenous-owned attribute icon and associated launch materials to the initiative. “This wasn’t just another campaign; it represented an opportunity to help Indigenous business owners share their heritage and foster deeper connections between the businesses and their consumers,” she says.

Yet another social app built around talk, not text! 

Faith Ringgold, the multimedia artist whose soaring work documented race, class, family, community, justice, and the African American experience in the U.S., has died. She was 93. Her work included painting, sculpture, mask- and doll-making, textiles, performance art, and children’s literature. “Few artists have kept as many balls in the air as long as Faith Ringgold,” the New York Times art critic Roberta Smith wrote in 2013. “She has spent more than five decades juggling message and form, high and low, art and craft, inspirational narrative and quiet or not so quiet fury about racial and sexual inequality.”

Nike is under fire for its “needlessly revealing and sexist” Team USA women’s track and field kit. “Wait, my hoo haa is gonna be out.”

AI is rewriting the internet. Here’s what to expect from Microsoft’s Copilot, Google’s Gemini, and OpenAI’s ChatGPT-4. “These AI tools are vast autocomplete systems, trained to predict which word follows the next in any given sentence. As such, they have no hard-coded database of ‘facts’ to draw on — just the ability to write plausible-sounding statements. This means they have a tendency to present false information as truth since whether a given sentence sounds plausible does not guarantee its factuality,” says reporter James Vincent. Yay! The future sounds…?

The National Governors Association has launched a new Health Equity Learning Network to support policy solutions and share strategies to reduce health inequities in the U.S.

Daniel Kahneman, the Nobel Prize-winning psychologist who became known for his groundbreaking work in bias, heuristics, and how people make decisions, has died at 90. Kahneman became widely known for his 2011 book Thinking, Fast and Slow, which aimed to “improve the ability to identify and understand errors of judgment and choice, in others and eventually ourselves, by providing a richer and more precise language to discuss them.”

Maqroo means readable: Leo Burnett Dubai agency has partnered with Omantel telecom network to create a new dyslexia-friendly Arabic font. “Arabic is one of the oldest and most beautiful languages in the world. With 12 million words it is also the most complex, making it even harder for those with dyslexia to learn it,” says Leo Burnett Dubai art director Abdo Mohamed. (It’s also beautiful.)

Wicked looks good.

The much anticipated Humane AI Pin has arrived, an expensive, subscription-based wearable chatbot — or “second brain” — that nobody seems to like very much. Yet, I guess.

Who will represent working-class life? A documentary about the UK-based photographer Tish Murtha is asking important questions about which stories are told visually — and supported by the art establishment — and why. “She showed the reality of poverty and deprivation in communities where the misery of unemployment had been allowed to settle by the Westminster political classes who considered it a price worth other people paying for the boon of undermining trade union power,” writes Peter Bradshaw. “But in capturing the faces, particularly the faces of children, Murtha showed her subjects’ humour, optimism and refusal to be cowed.”

An employee who worked as an art installer secretly hung one of his own paintings in the Pinakothek der Moderne in Munich, and we’re not that mad about it. “He was carrying tools; that’s why he went totally unnoticed,” said Tine Nehler, a museum spokesperson. “As a technician, he was able to move around all areas of the building outside of opening hours.”

Marian Bantjes critiques the design and logic (and design logic) of the food pyramid (and pyramids in general).